
Exhibited Work 1
Sparkles
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Digital Exhibition Catalogue
Venue
Contemporary by Golconda
Location
Tel Aviv, Israel
Dates
October 22, 2009 – November 28, 2009
Works
16 works
Dvir Cohen Kedar is a contemporary artist based in Düsseldorf, Germany. Working primarily in painting, drawing, printmaking, and digital media, his practice explores the translation of images across different visual languages. Through processes of distortion, reconstruction, and painterly intervention, he examines the shifting relationship between original sources, memory, and representation. Kedar received a B.Ed. in Fine Arts with honors from the Midrasha School of Art, Beit Berl College (2005), followed by an MFA from the University of Haifa (2008). He later expanded his practice through advanced studies in figurative painting and digital sculpting. He is a co-founder of Alfred – A Cooperative Institute for Arts and Culture in Tel Aviv, where he was an active member between 2005 and 2020. His work has been presented in numerous solo exhibitions, including Specters at the Ashdod Museum of Art, Ship of Fools and i love ikooki at Alfred Gallery, Endangered Perversities at the Haifa Museum of Art, and Suspended Animation at Contemporary by Golconda. Kedar has participated in exhibitions throughout Israel and Europe, including the Kunstpalast Düsseldorf, Mishkan Museum of Art, Ein Harod, Petach Tikva Museum of Art, Ramat Gan Museum of Israeli Art, Tel Aviv Artists' House, Barbur Gallery, and BETONBOX Düsseldorf. In 2023 he received the Creative Encouragement Award for Fine Arts from the Israel Ministry of Culture. His works are held in private collections in Israel, Germany, the United States, Hong Kong, Bulgaria, Sweden, and Canada.
In Suspended Animation (2009), Dvir Cohen Kedar explores the human body’s struggle against the natural processes of growth, aging, and transformation. While his earlier work examined physical imperfections, this exhibition shifts its focus toward the desire to delay—or even suspend—the passage of time. Drawing inspiration from Japanese anime, manga, and otaku culture, Cohen Kedar adopts their visual language of stylized figures, enlarged eyes, and simplified spaces. The exhibition’s title refers to the biological phenomenon in which living organisms dramatically slow their life processes without stopping them entirely—a state that science has long sought to understand and replicate. The paintings present ambiguous figures caught between childhood and adulthood. Their bodies resist clear definition, their expressions remain detached, and their apparent youth contrasts with subtle signs of age. Together, they reflect a universal tension: the human wish to preserve youth while confronting the inevitability of change. The exhibition brings together oil paintings and ink drawings, alongside the conceptual framework of Zen Bubbles, Cohen Kedar’s first animation work. Drawing on tranquil Zen-inspired imagery and quiet irony, the work questions the commercialization of serenity and exposes the fragile illusion of emotional stillness.
Curatorial text: Tami Gilat
Catalogue
16 works

Exhibited Work 1
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Exhibited Work 2
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Exhibited Work 3
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Exhibited Work 4
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Exhibited Work 5
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Exhibited Work 6
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Exhibited Work 7
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Exhibited Work 8
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Exhibited Work 9
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Exhibited Work 10
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Exhibited Work 11
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Exhibited Work 12
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Exhibited Work 13
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Exhibited Work 14
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Exhibited Work 15
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Exhibited Work 16
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