
Digital Exhibition Catalogue
Curator
Ilana Carmeli Lanner
Venue
The Artists' House
Location
Tel Aviv, Israel
Dates
October 8, 2026 – October 31, 2026
Works
31 works
Yosi Lubalsky is an Israeli painter based in Haifa. Trained in architecture (1999–2005), his early practice included architectural sketching and painting in the historic Neve Tzedek neighborhood of Tel Aviv. Between 2008 and 2010, he further developed his skills in realist figurative painting under professional guidance, working in oil and charcoal. Since then, his practice has been largely self-directed, focusing on Israeli landscapes, plant life, and natural environments. Raised in Hadera in a more rural setting, Lubalsky’s work reflects a strong sense of connection to nature and a longing for landscapes shaped by change and development. His paintings often explore themes of growth, transformation, and the relationship between the people and the environment, expressed through large-scale compositions that immerse the viewer. Alongside landscape work, he has created figurative and thematic series, including explorations of fatherhood and expressive studies of cats, through which he examines gesture, presence, and emotional connection. His background in dance and movement informs his visual language, particularly in the dynamic treatment of line, form, and structure. Lubalsky currently dedicates his practice to painting and ongoing research, exploring personal and perceptual processes through his work.
View Full Artist Catalogue →Who is Yosi Lubalsky within the realm of painting? Is he his father's child, or his own child's father? This recurring question forms the starting point of Not Everything Is Rosy, a creative and personal journey unfolding over eighteen years. What began as an exploration of fatherhood from the perspective of a father was interrupted by life itself, lay dormant for years, and has now been revived to reach a quiet and reconciled conclusion. The exhibition's title carries a dual meaning. It reflects Lubalsky's dramatic artistic decision to abandon the rich, warm palette long associated with his work in favor of a restrained spectrum of blues. At the same time, it expresses a direct confrontation with life's complexities, loss, and exposed emotions. The sea functions as both a visual and emotional metaphor, an ocean of memories and enduring longing that deepens the relationship between son and father, and father and son. It is not merely a backdrop, but an active presence that envelops the figures, connects them, and gives each moment a sense of tranquility, compassion, and intimacy. Alongside the large-scale oil paintings, the exhibition includes preparatory charcoal drawings that reveal the artist's earliest lines of thought and the emotional and structural foundations upon which the finished works are built. The father-son relationship also acquires symbolic meaning through the paintings' colors. Ochre yellow, cobalt blue, and white create a space suspended between earth and sky, human warmth and infinity, matter and spirit. Ochre evokes memory, rootedness, and warmth; cobalt blue opens the gaze toward the depths of both sea and soul; white introduces light, breath, and stillness. Together, they carry much of the emotional weight of the work. At the heart of the exhibition lies the transformation Lubalsky himself underwent during the intervening years. Life continued, bringing the loss of both parents. Through this bereavement, he discovered that orphanhood is not defined by age. The artist who began the series nearly two decades ago as a father observing his son now completes it as the child within the paintings, an orphaned son searching for his parents. In the exhibition's central large-scale painting, Lubalsky seeks to reconnect with his mother through the act of knitting. The image becomes a metaphor for life itself: a person quietly knits together the sweater of a lifetime, weaving memories and experiences into its fabric, while knowing that unraveling is ultimately inevitable. Not Everything Is Rosy is a moment of wholeness and acceptance, an invitation to contemplate the threads of family life as they unravel and are woven anew within a vast blue ocean of parting and consolation.
Curator: Ilana Carmeli Lanner
Catalogue
31 works

Exhibited Work 1
View artwork record

Exhibited Work 2
View artwork record

Exhibited Work 3
View artwork record

Exhibited Work 4
View artwork record

Exhibited Work 5
View artwork record

Exhibited Work 6
View artwork record

Exhibited Work 7
View artwork record

Exhibited Work 8
View artwork record

Exhibited Work 9
View artwork record

Exhibited Work 10
View artwork record

Exhibited Work 11
View artwork record

Exhibited Work 12
View artwork record

Exhibited Work 13
View artwork record

Exhibited Work 14
View artwork record

Exhibited Work 15
View artwork record

Exhibited Work 16
View artwork record

Exhibited Work 17
View artwork record

Exhibited Work 18
View artwork record

Exhibited Work 19
View artwork record

Exhibited Work 20
View artwork record

Exhibited Work 21
View artwork record

Exhibited Work 22
View artwork record

Exhibited Work 23
View artwork record

Exhibited Work 24
View artwork record

Exhibited Work 25
View artwork record

Exhibited Work 26
View artwork record

Exhibited Work 27
View artwork record

Exhibited Work 28
View artwork record

Exhibited Work 29
View artwork record

Exhibited Work 30
View artwork record

Exhibited Work 31
View artwork record
Collector Information
Original works and archival Fine Art Prints are available in selected sizes. For availability, pricing, or collector enquiries, please contact the artist directly.
Preserved within the Global Catalogue Raisonné
Connecting exhibition history, artwork records, and the artist’s evolving archive.
Continue Exploring
Explore the artist's complete catalogue, biography, documented artworks, exhibitions, publications and awards.