Museum Exhibition

Catalogue of Works

Rubens, Rembrandt, and Drawing in the Golden Age

Art Institute of Chicago

121 documented works

Back to exhibition

Tobias Verhaecht

Landscape with Two Men Walking

1580/1631

Pen and brown ink, with brush and brown and blue ink washes, over traces of black chalk, on ivory laid paper

22.5 × 33.4 cm (8 7/8 × 13 3/16 in.)

View at museum

Lodewijk Toeput

Interior View of the Coliseum

c. 1580

Pen and brown ink and brush and black and green washes, over black chalk, on cream laid paper

37 × 43 cm (14 5/8 × 16 15/16 in.)

View at museum

Simon de Vlieger

Fishermen Drying Nets on Scheveningen Beach

early 1630s

Black and white chalk on tan laid paper, laid down on tan wove paper

Primary support: 28.5 × 44.4 cm (11 1/4 × 17 1/2 in.); Secondary support: 32.9 × 48 cm (13 × 18 15/16 in.)

View at museum

School of Rembrandt van Rijn

Woman Seated on Bench and Three Sketches of Heads

n.d.

Pen and brown ink, with touches of brush and brown ink wash, on cream laid paper

14 × 13.3 cm (5 9/16 × 5 1/4 in.)

View at museum

Constantijn Daniel van Renesse

The Good Samaritan Arriving at the Inn

c. 1660

Pen and brown ink, heightened with white chalk, on buff laid paper

19.1 × 23.1 cm (7 9/16 × 9 1/8 in.)

View at museum

School of Rembrandt van Rijn

The Degradation of Haman before Ahasuerus and Esther

1630s

Pen and brown ink, with brush and brown wash, on cream laid paper

19.6 × 16.8 cm (7 3/4 × 6 5/8 in.)

View at museum

Willem Drost

Peter and John at the Temple Gate

1626/69

Pen and brown ink, with brush and brown wash, on ivory laid paper

18 × 29.2 cm (7 1/8 × 11 1/2 in.)

View at museum

Follower of Rembrandt van Rijn

The Supper at Emmaus

1626/69

Pen and brown ink on cream laid paper

9.8 × 11.4 cm (3 7/8 × 4 1/2 in.)

View at museum

Follower of Rembrandt van Rijn

Copy after the Levite and the Violated Woman

mid-17th century

Pen and brown ink on cream laid paper

19.1 × 15.5 cm (7 9/16 × 6 1/8 in.)

View at museum

Rembrandt van Rijn

The Good Samaritan

c. 1650

Pen and brown ink, with brush and brown wash, on cream laid paper

19.4 × 24.4 cm (7 11/16 × 9 5/8 in.)

View at museum

Circle of Peter Paul Rubens

Head of an Old Man, possibly Seneca

c. 1620

Black chalk on cream laid paper

27.8 × 21.3 cm (11 × 8 7/16 in.)

View at museum

School of Paul Bril

Large Ruined Portico or Corridor (recto); Sketches of a Draped Figure and Architecture (verso)

c. 1600

Brush and black ink, with black wash (recto), and red and black chalk (verso), on pieced cream laid paper

40.8 × 52.7 cm (16 1/8 × 20 3/4 in.)

View at museum

Samuel van Hoogstraten

Seated Female Nude

1647/78

Pen and brown ink and brush and brown wash, with traces of black chalk and opaque white watercolor, on cream laid paper, laid down on cream laid paper

Primary support: 28.4 × 19.2 cm (11 3/16 × 7 9/16 in.)

View at museum

Rembrandt van Rijn

Woman at the Bath with a Hat Beside Her

1658

Etching and drypoint in black on ivory Japanese paper, laid down on ivory Japanese paper

Image/plate: 15.7 × 12.9 cm (6 3/16 × 5 1/8 in.); Primary/secondary support: 16.3 × 13.3 cm (6 7/16 × 5 1/4 in.)

View at museum

Rembrandt van Rijn

Seated Female Nude

1660/62

Pen and brown ink and brush and brown wash, with subtractive highlights (scraping) and touches of opaque white watercolor corrections, on ivory laid paper, laid down on cream laid card

Primary/secondary supports: 21.2 × 17.5 cm (8 3/8 × 6 15/16 in.)

View at museum

Rembrandt van Rijn

A Farm on the Amsteldijk, Seen from the Northwest

1650/53

Pen and brown ink, with touches of brush and brown wash, on cream laid paper (discolored to tan)

15.1 × 25 cm (6 × 9 7/8 in.)

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Rembrandt van Rijn

Noah's Ark

c. 1660

Pen and brown ink and brush and brown ink wash on cream laid paper

20.3 × 24.8 cm (8 × 9 13/16 in.)

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Rembrandt van Rijn

Panorama Near Bloemendaal Showing the Saxenburg Estate (The Goldweigher's Field)

1651

Etching and drypoint in black on cream Japanese paper (discolored to tan)

Sheet; trimmed to platemark: 12.2 × 32.4 cm (4 13/16 × 12 13/16 in.)

View at museum

Rembrandt van Rijn

Landscape with a Farm Building and the "House with the Tower"

c. 1650

Etching and drypoint on Japanese paper, laid down on cream laid paper

Sheet trimmed to platemark: 12.4 × 32 cm (4 15/16 × 12 5/8 in.)

View at museum

Rembrandt van Rijn

Woman with the Arrow

1661

Etching, drypoint and burin on ivory laid paper

Image/plate: 20.5 × 12.4 cm (8 1/8 × 4 15/16 in.); Sheet: 20.9 × 12.8 cm (8 1/4 × 5 1/16 in.)

View at museum

Rembrandt van Rijn

Kostverloren Castle in Decay

c. 1652

Pen and brown ink, with brush and brown wash, heightened with touches of opaque white watercolor, on cream laid paper

10.9 × 17.5 cm (4 5/16 × 6 15/16 in.)

View at museum

Aert de Gelder

Jacob Shown Joseph’s Blood-Stained Coat

c. 1660

Pen and brown ink, with brush and brown wash, with touches of white opaque watercolor, on buff laid paper, laid down on ivory laid paper

Primary/secondary supports: 12.1 × 18.6 cm (4 13/16 × 7 3/8 in.)

View at museum

Willem van Nieuwlandt, II

Ruins of the Colosseum in Rome

c. 1600

Pen and brown ink, with brush and brown and gray wash, on pieced cream laid paper

35.3 × 61.3 cm (13 15/16 × 24 3/16 in.)

View at museum

Circle of Willem van Nieuwlandt, II

View from within the Roman Forum

1600

Pen and brown ink with brush and pale blue and brown wash, on ivory laid paper, laid down on ivory laid paper

21.5 × 37.8 cm (8 1/2 × 14 15/16 in.)

View at museum

Master of the Small Landscapes

Village Among the Trees

c. 1560

Pen and brown ink, heightened with opaque white watercolor and touches of pink and yellow watercolor, over black chalk, on blue tinted laid paper, laid down on laid paper

Primary support: 23.8 × 39.4 cm (9 3/8 × 15 9/16 in.); Secondary support: 33.9 × 49 cm (13 3/8 × 19 5/16 in.)

View at museum

Circle of Marten van Heemskerck

Celestial Venus (recto); Main Hall, Baths of Diocletian (verso)

c. 1535

Pen and brown ink (recto), and pen and brown ink, with brush and brown wash and black chalk (verso), on ivory laid paper

23 × 10.2 cm (9 1/16 × 4 1/16 in.)

View at museum

Unknown artist

Landscape with River and Mill

c. 1540

Pen and brown ink on cream laid paper

18.8 × 28.4 cm (7 7/16 × 11 3/16 in.)

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Follower of Rembrandt van Rijn

Scipio Returning the Spanish Bride to Her Family

c. 1640

Pen and brown ink, with brush and brown wash and touches of graphite, on pieced cream laid paper

19.5 × 33 cm (7 11/16 × 13 in.)

View at museum

Pieter de Witte

Supper at Emmaus

1590/95

Pen and brown ink and brush and black ink wash, with opaque white watercolor, on tan laid paper prepared with yellow ocher, incised with graphite for transfer

23.4 × 18.2 cm (9 1/4 × 7 3/16 in.)

View at museum

Peter Paul Rubens

The Last Supper

late 1613 or early 1614

Pen and brown ink, with brush and brown wash, heightened with touches of white opaque watercolor, over traces of black chalk, on cream laid paper, incised for transfer

30.2 × 19.7 cm (11 15/16 × 7 13/16 in.)

View at museum

Peter Paul Rubens

Nude Youth in the Pose of the Spinario

1610/16

Black chalk, heightened with white chalk, on tan laid paper

28 × 18.8 cm (11 1/16 × 7 7/16 in.)

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Peter Paul Rubens

A Sheet of Anatomical Studies

1600/10

Pen and brown ink on ivory laid paper

27.1 × 18.8 cm (10 11/16 × 7 7/16 in.)

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Peter Paul Rubens

Studies of a Roman Sarcophagus

1602/03

Black chalk on cream laid paper

28.5 × 42 cm (11 1/4 × 16 9/16 in.)

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Peeter Stevens, II

Village Scene with a River and Wooden Bridge

1595/1600

Pen and brown ink and brush and brown and blue washes on cream laid paper

17.1 × 28.5 cm (6 3/4 × 11 1/4 in.)

View at museum

Paul Liender

The City Walls of Utrecht by the "Plompetoren"

1763

Pen and black ink, with brush and gray wash, on ivory laid paper

21.4 × 32.5 cm (8 7/16 × 12 13/16 in.)

View at museum

Paul Bril

Wooded Landscape with Donkeys and Goats, and Castle on Hill in Distance

n.d.

Pen and brown ink on cream laid paper

34.5 × 24.6 cm (13 5/8 × 9 11/16 in.)

View at museum

Nicolas Poussin

Studies after Andrea Mantegna, Giulio Romano, and the Antique

1635/40

Pen and brown ink, with brush and brown wash, on off-white laid paper

26.9 × 20.3 cm (10 5/8 × 8 in.)

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Nicolas Beatrizet

Laocoön

1540/65

Engraving in black on pieced, cream laid paper

41.2 × 29.4 cm (16 1/4 × 11 5/8 in.)

View at museum

Samuel van Hoogstraten

Jacob and Esau (recto); Head of a Young Woman Asleep (verso)

1647/78

Pen and brown ink, with brush and brown wash (recto and verso) on ivory laid paper

9.4 × 15.6 cm (3 3/4 × 6 3/16 in.)

View at museum

Nicolaes Berchem

Landscape with Waterfalls and Bridges, Peasants in the Foreground

c. 1670

Black chalk, with brush and black wash, on cream laid paper

25.3 × 30.7 cm (10 × 12 1/8 in.)

View at museum

Maarten de Vos

The Reconciliation of Jacob and Esau

1581

Pen and brown ink and brush and brown wash on cream laid paper, incised with a stylus for transfer

21.2 × 19.5 cm (8 3/8 × 7 11/16 in.)

View at museum

Maerten van Heemskerck

Abigail

c. 1560

Pen and brown ink on ivory laid paper, incised with stylus for transfer

19.7 × 25.2 cm (7 13/16 × 9 15/16 in.)

View at museum

Lucas Emil Vorsterman

Lot's Daughters Fleeing Sodom

1615/20

Black chalk, with touches of pen and black ink and white chalk, on tan laid paper

27.5 × 14.5 cm (10 7/8 × 5 3/4 in.)

View at museum

Lambert Doomer

Horseman and Hunter in the Woods of Doorwerth, Near Arnhem

c. 1670

Pen and brown iron gall ink and brush and brown and gray washes, over black chalk, on ivory laid paper

23.5 × 41.1 cm (9 5/16 × 16 3/16 in.)

View at museum

Joos de Momper, II

A Castle on a Crag in a Mountainous Landscape

late 1590s

Pen and brown ink, with brush and brown ink wash and touches of black ink wash, over traces of black chalk, on cream laid paper

27.8 × 42.5 cm (11 × 16 3/4 in.)

View at museum

Jan van der Straet

Men Hunting Ibexes with Hounds

1578

Pen and brown ink, brush and brown wash, and white opaque watercolor, over black chalk, on pieced cream laid paper, incised for transfer, laid down on cream laid paper

Primary support: 20.7 × 29.7 cm (8 3/16 × 11 3/4 in.); Secondary support: 21 × 30.1 cm (8 5/16 × 11 7/8 in.)

View at museum

Jan van der Straet

The Capture of a Swarm of Bees in a Farmyard

1578/1605

Pen and brown ink and blue watercolor, with opaque white watercolor, over black chalk, on cream laid paper, incised with a stylus for transfer, laid down on cream laid paper

Primary support: 19.6 × 28 cm (7 3/4 × 11 1/16 in.); Secondary support: 21 × 29.1 cm (8 5/16 × 11 1/2 in.)

View at museum

Jan van der Straet

Design for Frontispiece to the Seven Virtues

1598

Pen and brown ink and brush and brown wash, with touches of opaque white watercolor, over traces of black chalk, on cream laid paper, incised for transfer

17.8 × 13 cm (7 1/16 × 5 1/8 in.)

View at museum

Jan Wierix

Noah's Sacrifice, plate IX from The Creation and Early History of Man

1606

Pen and brown ink on parchment

9.4 × 12.3 cm (3 3/4 × 4 7/8 in.)

View at museum

Jan Victors

Joseph's Brothers Showing His Coat to Jacob

1640/49

Pen and brown ink, with brush and brown wash, on cream laid paper

19.5 × 24.6 cm (7 11/16 × 9 11/16 in.)

View at museum

Jan van Goyen

Country Fair

1653

Black chalk, with brush and gray wash, on ivory laid paper

11.6 × 20.4 cm (4 5/8 × 8 1/16 in.)

View at museum

Jan van Goyen

A Dune Landscape

1650–51

Black chalk, with brush and gray wash, on ivory laid paper

9.8 × 15.8 cm (3 7/8 × 6 1/4 in.)

View at museum

Jan van Goyen

Panorama

1650–51

Black chalk, with brush and brown wash, on ivory laid paper

9.8 × 15.7 cm (3 7/8 × 6 3/16 in.)

View at museum

Jan van Goyen

A Romanesque Ruin

1650–51

Black chalk, with brush and gray wash, on ivory laid paper

9.8 × 15.8 cm (3 7/8 × 6 1/4 in.)

View at museum

Jan van Goyen

Leper House at Cleves

1650–51

Black chalk, with brush and gray wash, on ivory laid paper

9.8 × 15.8 cm (3 7/8 × 6 1/4 in.)

View at museum

Jan van Goyen

Village on Sunny Hillside

1650–51

Black chalk, with brush and gray wash, on ivory laid paper

9.8 × 15.7 cm (3 7/8 × 6 3/16 in.)

View at museum

Jan van Goyen

Fishing Boats off an Estuary

1633

Oil on panel

36 × 57.8 cm (14 1/8 × 22 3/4 in.); Framed: 57.2 × 78.1 × 5.1 cm (22 1/2 × 30 3/4 × 2 in.)

View at museum

Jan van Goyen

Market near a Canal

1651

Black chalk, with brush and brown and gray washes, on ivory laid paper

17.1 × 27.4 cm (6 3/4 × 10 13/16 in.)

View at museum

Jan de Bray

A Portrait of a Woman

1650

Black and red chalk on ivory laid paper

16.4 × 12.8 cm (6 1/2 × 5 1/16 in.)

View at museum

Jan de Bray

A Portrait of a Man

1650

Black and red chalk on ivory laid paper

16.5 × 12.7 cm (6 1/2 × 5 in.)

View at museum

Jan de Bisschop

The Coronation of the Virgin and The Flight into Egypt

1648/71

Pen and brown ink and brush and brown wash on ivory laid paper, laid down on cream laid paper

Primary/secondary supports: 37 × 27.2 cm (14 5/8 × 10 3/4 in.)

View at museum

Pieter Bruegel, the elder

Forest Landscape with Wild Animals

late 16th century

Pen and brown ink on buff laid paper, laid down on card

Primary support: 36 × 24.4 cm (14 3/16 × 9 5/8 in.); Secondary support: 47.8 × 36.5 cm (18 7/8 × 14 3/8 in.)

View at museum

Jan Brueghel, the elder

A Hilly Landscape with Figures Near a Ravine

1595

Pen and brush and brown ink and brush and brown wash on ivory laid paper

11.3 × 18.9 cm (4 1/2 × 7 1/2 in.)

View at museum

Jan Both

Italian Landscape with a Bridge

1642/52

Pen and brown ink, with brush and gray wash, over traces of black chalk, on ivory laid paper; verso, slight sketches of leaves in pen and brown ink

20.4 × 29 cm (8 1/16 × 11 7/16 in.)

View at museum

Jan Asselijn

View of the Ponte Rotto, Rome, with Watermills

late 1630s

Watercolor, over graphite, on cream laid paper

20 × 45.5 cm (7 7/8 × 17 15/16 in.)

View at museum

Jacques de Gheyn, II

A Huntsman with a Dead Hare and a Dog (Study for "Terra")

1590/95

Pen and brown ink and brush and gray wash, over touches of charcoal, ruled with pen and black ink, on ivory laid paper, incised with a stylus for transfer, laid down on cream laid paper

Primary support: 16.7 × 13.7 cm (6 5/8 × 5 7/16 in.); Secondary support: 18.9 × 15.6 cm (7 1/2 × 6 3/16 in.)

View at museum

Jacques de Gheyn, II

Two Studies of a Roma Woman and a Roma Boy in a Large Hat

c. 1605

Pen and black iron gall ink on tan laid paper

23 × 26 cm (9 1/16 × 10 1/4 in.)

View at museum

Jacob Jordaens

Jacob and Esau

c. 1655

Charcoal, pen and brown ink, and brush and brown washes, heightened with opaque white watercolor, on pieced cream laid paper, laid down on blue laid paper, ruled in pen and brown ink, laid down on tan laid paper

Primary support: 25.4 × 29.7 cm (10 × 11 3/4 in.); Secondary/tertiary supports: 32.2 × 36.6 cm (12 11/16 × 14 7/16 in.)

View at museum

Jacob Jordaens

Nude Old Man Seated, Leaning on His Forearm, Facing Left

c. 1640

Red and black chalk, with touches of white chalk, on cream laid paper

34.4 × 21.7 cm (13 9/16 × 8 9/16 in.)

View at museum

Jacques de Gheyn, II

A Soldier Loading a Musket, "Ramme in Your Pouder"

1596/98

Pen and brown ink, brush and gray wash, and traces of black chalk on ivory laid paper, incised for transfer

26.7 × 18.4 cm (10 9/16 × 7 1/4 in.)

View at museum

Herman Saftleven

A Forest Interior, with a Seated Figure

n.d.

Black chalk and brush and brown wash, with touches of black crayon and traces of opaque white watercolor, ruled in pen and black ink at edges, on ivory laid paper

18.5 × 13 cm (7 5/16 × 5 1/8 in.)

View at museum

Herman Henstenburgh

Two Grasshoppers

c. 1685

Watercolor and opaque watercolor, with pen and brown ink, over traces of graphite, on vellum, laid down on ivory laid paper, with pen and brown ink on paper verso

Primary/secondary supports: 11.9 × 14.3 cm (4 11/16 × 5 11/16 in.)

View at museum

Hendrick Goltzius

The Apollo Belvedere, plate 3 from Three Famous Antique Sculptures

c. 1592, printed c. 1617

Engraving in black on cream laid paper

Image: 40.5 × 29.1 cm (16 × 11 1/2 in.); Plate: 41.6 × 29.8 cm (16 7/16 × 11 3/4 in.); Sheet: 49.2 × 36.5 cm (19 3/8 × 14 3/8 in.)

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Hendrick Goltzius

Two Male Heads after the Antique, the Sons of Laocoön

c. 1605

Red chalk on ivory laid paper

16 × 25.2 cm (6 5/16 × 9 15/16 in.)

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Hendrick Goltzius

A Nude Female Figure Fleeing to the Right with Arms Outstretched, with Sketch of a Bust of Secondary Figure (recto); A Sketch of a Nude, Kneeling Female Figure, Supported by Another Standing (verso)

c. 1600 (recto); 1598/99 (verso)

Black and red chalk, with stumping, with touches of white lead (partially discolored) (recto) and black chalk, with touches of red chalk (verso), on cream laid paper prepared with pale brown wash

19.4 × 15.5 cm (7 11/16 × 6 1/8 in.)

View at museum

Hendrick Goltzius

Bust of a Warrior

1586/88

Black chalk, with red chalk, heightened with traces of white chalk, ruled with pen and black ink, on cream laid paper

14 × 9.8 cm (5 9/16 × 3 7/8 in.)

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Hendric Avercamp

Two Old Men beside a Sled Bearing the Coats of Arms of Amsterdam and Utrecht

1620/33

Opaque and translucent watercolors, with pen and brown ink, over graphite, on cream laid paper

18.3 × 30 cm (7 1/4 × 11 13/16 in.)

View at museum

Hans Bol

Landscape with the Sacrifice of Isaac within a Decorative Border of Plants and Animals

1584

Pen and brown ink and brown and gray washes on ivory laid paper, incised with a stylus for transfer

14.5 × 21.2 cm (5 3/4 × 8 3/8 in.)

View at museum

Guilliam Dujardin

Buildings Amid Ruins in Roman Campagna

n.d.

Black chalk on ivory laid paper

25.8 × 40 cm (10 3/16 × 15 3/4 in.)

View at museum

Govaert Flinck

Joseph Interpreting the Prisoners' Dreams

c. 1638

Pen and brown ink, with brush and brown wash, on ivory laid paper

17.3 × 20.6 cm (6 13/16 × 8 1/8 in.)

View at museum

Godfried Maes

Head of Medusa

1680

Pen and brown ink, with traces of black chalk, on cream laid paper

24.5 × 18.1 cm (9 11/16 × 7 3/16 in.)

View at museum

Gillis Neyts

Landscape with Figures and Horses in the Foreground

1638/87

Pen and brown ink on cream laid paper

14.1 × 10.6 cm (5 9/16 × 4 3/16 in.)

View at museum

Gerrit van Honthorst

Christ in the Garden of Olives

1615/35

Black chalk, brush and gray wash, and pen and brown ink, heightened with white chalk, with traces of graphite, on gray-brown laid paper, incised with a stylus for transfer

31.2 × 23.3 cm (12 5/16 × 9 3/16 in.)

View at museum

Gerrit van Battem

The Adoration of the Shepherds

late 1650s

White and gray opaque watercolor and black ink on cream laid paper prepared with brown wash

19.5 × 22.8 cm (7 11/16 × 9 in.)

View at museum

Gerbrand van den Eeckhout

A Bearded Figure Wearing a Turban and Fur Coat, Half Length, Turned to the Right

c. 1670

Brush and brown ink, with touches of pen and brown ink, on cream laid paper

25.1 × 18 cm (9 15/16 × 7 1/8 in.)

View at museum

Pieter Cornelisz. van Slingeland

Violin Player

mid-17th century

Black chalk, ruled in pen and brown ink, on ivory laid paper

11.3 × 10.1 cm (4 1/2 × 4 in.)

View at museum

Frans van der Meulen

View of Douai

1667–70

Graphite, with watercolor, on ivory laid paper

30.3 × 41.4 cm (11 15/16 × 16 5/16 in.)

View at museum

Style of Dirk Vellert

The Triumph of Time (recto); Sketch of a Stag (verso)

c. 1517

Pen and brown ink, over traces of black chalk, on cream laid paper

22.4 × 22.6 cm (8 7/8 × 8 15/16 in.)

View at museum

Denys Calvaert

Saint Francis of Assisi Adoring the Virgin and Child

1607

Black chalk on blue laid paper

52.1 × 31.2 cm (20 9/16 × 12 5/16 in.)

View at museum

Daniel Mytens, II

Male Nude Seen from Behind

1672/88

Red chalk, heightened with white chalk, with traces of black chalk, on tan laid paper

38 × 49.2 cm (15 × 19 3/8 in.)

View at museum

Cornelis van Poelenburgh

The Baptism of Christ

1641/67

Red chalk on cream laid paper

18.9 × 28.1 cm (7 1/2 × 11 1/8 in.)

View at museum

Cornelis van Poelenburgh

View of Tivoli with the Bridge Over the Anio Waterfall

1620

Pen and brown ink and brush and brown wash on cream laid paper

43.6 × 32.2 cm (17 3/16 × 12 11/16 in.)

View at museum

Cornelis Schut, I

The Rape of Europa

1635/40

Black chalk, with touches of white chalk, on ivory laid paper

26.3 × 38.9 cm (10 3/8 × 15 3/8 in.)

View at museum

Cornelis Saftleven

Kneeling Monk Holding a Crucifix

1630

Black chalk on cream laid paper

29 × 18.9 cm (11 7/16 × 7 1/2 in.)

View at museum

Cornelis Saftleven

A Camel

1646

Black chalk and brush and black wash, with touches of brown and ochre chalk, on ivory laid paper

20.4 × 31.3 cm (8 1/16 × 12 3/8 in.)

View at museum

Cornelis Dusart

Hurdy-Gurdy Player

1695

Pen and black ink, with black chalk and touches of black crayon, on cream Japanese paper

17.7 × 11.5 cm (7 × 4 9/16 in.)

View at museum

Circle of Peter Paul Rubens

Male Nude Tied to Tree

c. 1620

Black chalk, with pen and brown ink retouching, on ivory laid paper, laid down on ivory wove paper

Primary/secondary supports: 30.8 × 20.5 cm (12 3/16 × 8 1/8 in.)

View at museum

Bartholomeus Breenbergh

Villa of Maecenas at Tivoli

c. 1627

Pen and brown ink, with brush and brown and gray wash, over graphite, with touches of graphite over the washes, on cream laid paper

39.3 × 27.6 cm (15 1/2 × 10 7/8 in.)

View at museum

Bartholomaeus Spranger

Saint Dominic Reading

c. 1573

Pen and brown ink and brush and brown wash, with touches of opaque white watercolor, over traces of black chalk, on cream laid paper

30.6 × 18.6 cm (12 1/16 × 7 3/8 in.)

View at museum

Barent Fabritius

Satyr Among the Peasants

1645/50

Pen and brown ink, with brush and brown wash and a touch of opaque white watercolor, ruled in pen and brown ink at all edges, on cream laid paper

18.2 × 16.5 cm (7 3/16 × 6 1/2 in.)

View at museum

Pieter Jansz.

Three Half-Length Figures

1622/72

Pen and black iron gall ink on ivory laid paper

10.3 × 12.1 cm (4 1/16 × 4 13/16 in.)

View at museum

Govaert Flinck

Cimon and Pero

c. 1635

Pen and brown ink on cream laid paper

12.3 × 9.1 cm (4 7/8 × 3 5/8 in.)

View at museum

Carel van Falens

Hunters Giving Alms to Beggars

n.d.

Pen and brown ink on ivory laid paper

32 × 43.2 cm (12 5/8 × 17 1/16 in.)

View at museum

Anthonie Waterloo

Winter Landscape with a Man Crossing

c. 1660

Black chalk, over translucent and opaque watercolors, with touches of white chalk (recto) and pen and brown ink ledger (verso) on off-white laid paper, incised for transfer

19.7 × 15.8 cm (7 13/16 × 6 1/4 in.)

View at museum

Jacques de Gheyn, II

Fortune-Teller

c. 1608

Engraving on cream laid paper

Sheet, trimmed within platemark: 29.2 × 20.3 cm (11 1/2 × 8 in.)

View at museum

Ambroise Dubois

The Goatherd Lamon Handing the Infant Daphnis to His Wife Myrtele

after 1606

Pen and brown ink and brush and brown ink wash, with black chalk, brush and gray wash, and opaque white watercolor, on pieced cream laid paper

27 × 37.8 cm (10 11/16 × 14 15/16 in.)

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Allaert van Everdingen

Landscape with Elegant Figures by a River, with Boats to the Right and a Town Behind Trees Beyond

n.d.

Brush and gray wash, with touches of white wash, over touches of charcoal, ruled in pen and brown ink, on ivory laid paper

14.7 × 19.4 cm (5 13/16 × 7 11/16 in.)

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Aelbert Cuyp

A View of Vianen with a Herdsman and Cattle by a River

c. 1643–c. 1645

Oil on panel

40 × 55 cm (15 3/4 × 21 5/8 in.); Framed: 57.2 × 72.1 × 5.7 cm (22 1/2 × 28 3/8 × 2 1/4 in.)

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Aelbert Cuyp

View of IJsselmonde Seen Across the New Maas

c. 1640

Brush and black and yellow ochre watercolors, over black chalk, on ivory laid paper

14.5 × 19 cm (5 3/4 × 7 1/2 in.)

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Adriaen van de Velde

Study of a Male Nude

n.d.

Red chalk, over traces of charcoal, ruled in pen and brown at edges, on cream laid paper

34 × 23.6 cm (13 7/16 × 9 5/16 in.)

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Adriaen Collaert

Abraham's Sacrifice of Isaac, from Landscapes with Old and New Testament Scenes and Hunting Scenes

1584

Engraving in black on cream laid paper, laid down on cream laid paper

Image/primary support, trimmed within platemark: 14.3 × 20.8 cm (5 11/16 × 8 1/4 in.); Secondary support: 17.4 × 23.8 cm (6 7/8 × 9 3/8 in.)

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Abraham Bloemaert

The Circumcision

1601

Pen and brown ink and brush and brown wash, heightened with white opaque watercolor, over black chalk, on buff laid paper, laid down on buff laid card

Primary support: 27.7 × 27.6 cm (10 15/16 × 10 7/8 in.); Secondary support: 28.2 × 28.2 cm (11 1/8 × 11 1/8 in.)

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