Museum Exhibition
Aquatint: From Its Origins to Goya
National Gallery of Art
Exhibition artworks
Representative work

Rowlandson, Thomas
A Bawd on Her Last Legs
1784, pubished 1785
etching, aquatint, and lift-ground aquatint on laid paper
sheet: 29.8 × 41.5 cm (11 3/4 × 16 5/16 in.) plate: 27.2 × 37.8 cm (10 11/16 × 14 7/8 in.)
View artwork at the museumFeatured works

Rowlandson, Thomas
A Bawd on Her Last Legs
1784, published 1792
etching, aquatint, and lift-ground aquatint with hand coloring on laid paper
sheet (trimmed within platemark): 27.5 × 37.5 cm (10 13/16 × 14 3/4 in.)
View at museum
Delacroix, Eugène
A Blacksmith (Un Forgeron)
1833
aquatint on laid paper
image: 15.9 × 96 cm (6 1/4 × 37 13/16 in.) plate: 22.5 × 16.2 cm (8 7/8 × 6 3/8 in.) sheet: 57.5 × 37.2 cm (22 5/8 × 14 5/8 in.)
View at museum
Delacroix, Eugène
A Blacksmith (Un Forgeron)
1833
aquatint and drypoint on laid paper
plate: 22.6 × 16 cm (8 7/8 × 6 5/16 in.) sheet: 39.8 × 32 cm (15 11/16 × 12 5/8 in.)
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Dürer, Albrecht
A Crouching Apostle (Saint Peter)
1785
etching and aquatint printed in brown on laid paper
plate: 26.1 x 25 cm (10 1/4 x 9 13/16 in.) sheet: 43.5 x 35.9 cm (17 1/8 x 14 1/8 in.)
View at museum
French 18th Century
A Fan with Classical Figures Processing to Apollo
c. 1795
etching, aquatint and roulette printed in brown on laid paper
sheet: 49.2 × 24.4 cm (19 3/8 × 9 5/8 in.) (cut inside platemark and measured at widest points)
View at museum107 documented works in this exhibition
View all 107 documented works